tattoo empek empek

So; I'm back home, happily married and dead tired and damn jet lagged. So before I go ahead with anything else - let's start this with a good ol' give away for all of you:

One of you has the chance to win a beautiful origami head piece from Tyra Therman.



One of Tyra's signature pieces, she has been making these origami fascinators for years already. The fascinator is attached to a metal headband with soft, canvas covered edges for more comfortable wear. You can get them - and her other items - from her shop Punavuoren Putiikki or via MadeBy here and here. (<-clicketi click for more info).

As usual, in order to enter you need to leave me a comment on this post and make sure you are reachable to me trough that comment in one way or another. As the winner will be drawn randomly you may only leave me one comment - if you come back to add some info you missed out in the first one I will delete the previous comment. However, if you link to this giveaway somewhere out there you may leave me another comment telling me you've done so and linking to said shout out.
You know what to do!




The competition will be open for a week in other words, closing the last day of June.
And as always the give away is open to everyone.
Good luck!

• 
• 
• 
• 
• 

(Yes, I know, I am among the more creative out there when it comes to headlines.)


We actually have two more rooms in our flat; the study and the kids' room, but they were not tidy enough to snap pics of.
(They are to the right in the pic, before our bedroom. The birdie-bathroom is to the left.)

Anyway, I intended to write about the armchairs and the wallpaper and other things quite many of you have asked about in the previous post about home already , but wasn't up to it then. So here goes now instead:

The wall paper is called Ken Kiuruista Kaunein ("Who is the Fairest of the Nightingales") and was designed by Birger Kaipiainen in the 1950's. It comes in a four colour variations and has a sister design in Kiurujen Yö ("Night of the Nightingales"). You can get it at Tapettitalo. They have an English translation of the site, and maybe, maybe, it could be possible to order abroad also.


My make up table cost me 20 euros from the finnish auction site Huuto.net, along with the stool. I also got our living room table trough that site. The stool was just a frame to which I build a seat of some left over wood from the renovation and a piece of foam, some fabric and ribbon. The lace is cut from a waxed cloth. The string shelves in the living room I spent a small fortune on, but the one here in the bedroom and the one in the study I got from my grandparents (they left one here in the flat for me) and from my mom and dad's garage.


I have the same waxed lace cloth on the shelves in the wardrobe too. I have received a lot of request to show pictures of my wardrobe during the years. Here's just a tiny sneak peek; I keep my clothes in here but also on a rack and then in the mini walk in closet in the study (among with lots of burlesque outfits and props, winter clothes and summer sandals, tools and other more undefined items…). The bedroom closets are original; I repainted them white on the outside and painted them soft pink on the inside and changed the old not-so-functional shelves into an Elfa drawer system.


(Bonus cat and cabinet radio-pic.)


A lot in our livingroom happens to be old and vintage, but the arm chairs are in fact not. They are a classic model from Finnish furniture comapy Asko that has been produced since way back. I am not sure if it has been in production constantly, but anyway, it is at least now. The chair is called Helena. It comes in a wide range of fabrics; I originally wanted a pair in a soft woven gray fabric, but one such would've cost more than the two deep red together so red it was. And better that way actually. There is also a similar chair called Richard in a classic fifties design with more patterned fabrics.

• 
• 
• 
• 
• 

Things I did yesterday: booked tattoo time (to May, the boys over at Legacy are popular…), bought a thick interior magazine and enjoyed it alone with sushi, edamame and a beer (sometimes dining seul is just the best thing), went to the ballet with Tinker and Aino, wore black and had before all of this spent a long time wet set waving & drying my hair only to notice the nice waves go rather straight very fast due to the moist air..

Going to the ballet was beautiful - I haven't seen a ballet in years. A long time ago I sang some seasons in the choir at the National Opera for the Nutcracker ballet. We got a personnel discount and I went to see the ballets running at that time. Anyway, tanding on the side of the stage in the choir I was surprised to hear how the weightless appearing dancers actually sound rather heavy when they hit the floor after the jumps and how the male dancers sighed of exhaustion when lifting the ballerinas. And also, how sweaty they got.

This time we went to see Manon. It had some very beautiful scenes and the costumes and setting for some of them were superb, the bordello scene for example. Which I unfortunately don't have any pictures of. But it was a lot of pastel tulle there I tell you.

I suppose one reason for us finally managing to see a ballet was the Black Swan - there has been more talk about ballet lately due to that movie. I've seen the film and wasn't blown away, but started liking it a little more the next day and thought about the film for a while, which I guess is a sign of good cinema in a certain way. What I did like right away however was the set of posters LaBoca made for the film:

(Three of them shown here. I left out the one I didn't like that much. click for a bigger view.)

I like film posters made the old school way, drawn, like Fairey's Walk the Line. I have a look at Polish Posters every now and then. But what annoys me a little bit here (listen to the expert talking here now) is the ballerina in the poster the most to the right... there's something about that silhouette that just bugs my eye but I suppose I can live with that.

Well, back to me. Black always works if having to do stuff during a day that will end up more fancy at, for example, the Opera. Well as you know I think black works pretty much at whatever, whenever. My top is from H&M - I really like the cut - it's rather early fifties. Just as the striped top this one has a big zipper halfway down from the neck that I'm thinking of removing and changing to a button and loop instead. Zippers are apparently trendy now.

(And yes, you saw correctly, trousers!)

• 
• 
• 
• 
•